20 September 2021
The glazed tomato blushing in the garden, the blown glass bottle containing a twig, the snail roaming in the morning dew, the donkey in gray flannel or the painting palette of designer and illustrator Marin Montagut… Renard’s pendants are figurative, never conceptual. “My work is completely instinctive and must speak for itself,” says Renard. You get a sense of authenticity, rurality (she spends part of her time in Auvergne), the emotions generated by the tiny details of everyday life, and of work done by hand. Everything is made of bronze using the lost wax technique, and always in small series. “From time to time I work together with a ceramist or glassblower using the same approach, and the idea of making a profit doesn’t even come into it.” No wonder that Japan, where I discovered Renard a few years ago in a store in the Ayoama district, is so taken with his work.
Opaque, smooth and shiny without sparkling: there’s nothing like lacquer to satisfy that crazy desire for color and optimism!
I was so surprised by the extreme lightness of this Tabayer bracelet – to the point of wondering if it was really gold at all.
As the central element of this collection, links even become a garment in their own right when Roustaing turns them into an ultra-sexy top.
Too big, too fragile, too disturbing, too bulky, too outrageous, too eccentric, too over-the-top… just too much. That’s what you’ll say when you...
Gaia Repossi, artistic director of the brand founded by her father (now owned by LVMH), has created a jewelry collection inspired by the world of Robert...
The “Oddity” model by Philippe Airaud for DFLY comes in black, matte and charcoal gold. Beautiful.