19 September 2017
A necklace by this young British designer recently entered one of the world’s most glittering collections: the London museum’s jewellery gallery. This contains some 3,500 pieces dating from the Middle Ages to the present day, including diamonds worn by Catherine the Great of Russia, the emeralds of Joséphine de Beauharnais, Lady Mountbatten’s “Tutti Frutti” bandeau and a 17th century Norwegian bridal crown. The V&A only accepts jewellery of the first water, clearly! It has to represent a particular style, period or technical feat – like this piece, consisting of stems and flowers cut from thin gold leaf linked with filaments, also in gold. It then takes on an aura with a wholly different dimension, as part of the panorama of history.
Opaque, smooth and shiny without sparkling: there’s nothing like lacquer to satisfy that crazy desire for color and optimism!
I was so surprised by the extreme lightness of this Tabayer bracelet – to the point of wondering if it was really gold at all.
As the central element of this collection, links even become a garment in their own right when Roustaing turns them into an ultra-sexy top.
Too big, too fragile, too disturbing, too bulky, too outrageous, too eccentric, too over-the-top… just too much. That’s what you’ll say when you...
In Renard Bijoux, you get a sense of authenticity, rurality, the emotions generated by the tiny details of everyday life, and of work done by hand.
Gaia Repossi, artistic director of the brand founded by her father (now owned by LVMH), has created a jewelry collection inspired by the world of Robert...