10 August 2017
Positioned in unusual places, the brooches from Hermès and Jieun Kim corkscrew, gather and smock the fabric in a somewhat poetic way. By way of anecdote, Jieun Kim produced the small golden metal hand in 2015 for the “Unpinned” exhibition at the Foundling Museum, a former orphanage in London. Infinitely touching, “it represents the hand of a child desperately clinging to her mother’s clothes,” says the young designer.
For Fenty, Rihanna has reinterpreted the cameo: the profile of a wavy-haired Greco-Roman goddess is replaced with one of an African woman
Exhibited for the first time ever, this natural pearl, the oldest known in the world, is one of the most moving pieces in the show “10,000 Years of...
At the Mazlo gallery, you can see the work of Marie Masson. The young designer explores and disrupts gender issues with a series of brooches based on male...
At Dior, Victoire de Castellane is particularly fond of applying asymmetry to earrings. With her, a pair of earrings no longer consists of inseparable twins.
The first book of Marie-Hélène de taillac provides a taste of her world, with iconic photos of her designs and texts by some of her friends.
At nearly 100, Iris Apfel has dreamed up a jewelry collection with porcelain specialist Bernardaud. In terms of style, age doesn’t count!