10 August 2017
Positioned in unusual places, the brooches from Hermès and Jieun Kim corkscrew, gather and smock the fabric in a somewhat poetic way. By way of anecdote, Jieun Kim produced the small golden metal hand in 2015 for the “Unpinned” exhibition at the Foundling Museum, a former orphanage in London. Infinitely touching, “it represents the hand of a child desperately clinging to her mother’s clothes,” says the young designer.
The glass cocoon by Agathe Saint-Girons in the “Medusa” exhibition
Barbara Langendijk and Noon Passama
The nose ornaments in this exhibition are nothing short of sumptuous! Whether with pendants, crab-shaped, bimetal, rounded, hammered, these decorations...
Seeing jewelry in museums seems natural enough, but that wasn’t the case until the end of the 19th century!
The Comité Colbert is sounding the alarm: certain typically French skills are in danger of disappearing in the next 10 years! The luxury industry has 80...
Cartier was not merely inspired by motifs from distant cultures: the jeweler’s new creations have also often incorporated elements from old jewelry or...
Place Vendôme and the Rue de la Paix, I’ve photographed the most beautiful displays, from Cartier and Tiffany&Co. to Chanel.
Together with Mathias Kiss, Ségolène Dangleterre has created three pieces of jewelry: square bronze rings, layered and shaped like a cornice. Photo ©...