05 June 2017
“This pendant didn’t come about after a great deal of consideration, but from a simple find in 1975 among the shelves of the BHV store,” explains its creator Gilles Jonemann whose work is based on basic and ordinary materials. “I hung this pretty chrome-plated eleven-centimeter wrench, just one of many, on a leather lace. It became obvious when a client asked me to mount her diamond and seeing both on my workbench, I detected the clash of symbolic references between the bourgeoisie and the proletariat.” This jewelry piece, one of the first to emerge from the idea of altering an object’s meaning, won De Beers‘ “Diamonds International Awards” aimed at modernizing the use of diamonds. It is today considered a major piece in jewelry history.
The nose ornaments in this exhibition are nothing short of sumptuous! Whether with pendants, crab-shaped, bimetal, rounded, hammered, these decorations...
Seeing jewelry in museums seems natural enough, but that wasn’t the case until the end of the 19th century!
The Comité Colbert is sounding the alarm: certain typically French skills are in danger of disappearing in the next 10 years! The luxury industry has 80...
Cartier was not merely inspired by motifs from distant cultures: the jeweler’s new creations have also often incorporated elements from old jewelry or...
Place Vendôme and the Rue de la Paix, I’ve photographed the most beautiful displays, from Cartier and Tiffany&Co. to Chanel.
Together with Mathias Kiss, Ségolène Dangleterre has created three pieces of jewelry: square bronze rings, layered and shaped like a cornice. Photo ©...